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A Giant Greenscreen Marvel Movie, Except We Couldn’t Afford the Greenscreens”: Andrew Bujalski on There There

There There begins the first of six narrative sequences centered around pairs of unnamed characters with Lennie James and Lili Taylor, who’ve spent the night together for the first time.

Netflix Has a Message for Hollywood: We’re Still Spending Money

Netflix has a message for Hollywood: We’re not broke.

Joe Berlinger Looks Back on 30 Years of Brother’s Keeper and How the Documentary Genre Has Changed

Joe Berlinger remembers a time when it felt like documentaries were the bastard stepchildren of the entertainment industry.

What Should Netflix Do? Three Words: Drive My Car

With its renewed focus on "right-sized budgets," Netflix could tighten its belt and help the film community all at once.

Better Call Saul Star Bob Odenkirk Channeled Robert Evans for the Voice of Saul Goodman

Bob Evans is having a moment, three years after his death

Netflix’s quality of content has not met the mark in contrast to its peers, says Matthew Ball

Matthew Ball, former Amazon Studios head of strategy, joins 'TechCheck' to discuss if all streaming services will show lower subscriber numbers this quarter, how Netflix's backlog of content will help or hurt them and more.

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Blurring Lines Between Fact and Fiction: When Real Tragedy Translates to Scripted Success

When Real Tragedy Translates to Scripted Success

The Academy Impact: From the Oscar Bump to Social Change

Oscar winners do more than increase box office.

NFTs Come to Hollywood: How Will They Affect the Business, From Production to Distribution

The past year has seen a remarkable increase in popularity of non-fungible tokens (NFTs, for short), and we’re now seeing a crossover into the movie industry, some even suggesting a Hollywood Gold Rush.

The International Film Marketplace: Growing Digital Markets vs the Return of In Person Events

No Sundance, no problem: You just may have to chart a new course

There is hope, even without Sundance

Producers Reps: Connecting Films with Buyers

Producers Reps Connect the Dots

Podcasts

Kevin Goetz: Why Every Film Should be Profitable

This episode is a deep-dive into the pivotal role of audience research in film with Kevin Goetz.

Heart of Darkness & Apocalypse Now: The Joseph Conrad Classic Novel Vs the Francis Ford Coppola Classic Film

Book Vs. Movie: Heart of Darkness & Apocalypse Now The Joseph Conrad Classic Novel Vs the Francis Ford Coppola Classic Film

Who Will Win The Streaming War and All Your $$?

Ask Sean Anything Mailbag: Avatar 2, 10 Exciting Under-40 Directors, and Everything Everywhere All at Once at the Oscars

Sean answers your questions about the year in movies so far, film book recommendations, what a producer actually does, and a lot more.

A Brand New Way to Get a Film Made

Today, Ryan chats with the filmmakers about their new venture with The Fringe and how it might change how films are made forever.

Vue denies cancelling Dashcam due to its content

Vue Cinema Chain

Netflix Has a Message for Hollywood: We’re Still Spending Money

What Should Netflix Do? Three Words: Drive My Car

Riley Stearns: The Indie Filmmaker Who Wants a Bigger Audience but Knows He’s Not Meant for Marvel

Why Hollywood Can’t Connect Movie Stars with the Filmmakers They Deserve

Digital Entertainment Is More than Triple the Global Box Office, Says MPA’s Annual Report

Sundance 2022 Goes Virtual

Sundance Announces 2022 Festival Details, Including Plans for Both Virtual and In-Person Options

American Film Festivals Have a Future If They’re Willing to Change (Almost) Everything

Cannes: Film Community Expresses Shock, Excitement as First Day of Festival Somehow Takes Off

SXSW and Penske Media Make a Deal for Investment and Long-Term Partnership

Don’t Call It a Comeback: 2021 Film Festivals Remain Vital in Whatever Form They Take

The New Era of Film Exhibition

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